Showing posts with label Literary. Show all posts
Showing posts with label Literary. Show all posts

Sunday, May 31, 2009

BOOK RELEASE

THE LUO DREAMERS' ODYSSEY (From the Sudan to American Power) By Joseph R. Alila.

THE LUO DREAMERS' ODYSSEY (A Novel) is now available for purchase from https://www.createspace.com/3373494 . Availability on www.amazon.com comes shortly.

Students of Luo Oral History, Luo Anthropology, Luo Religiosity, Luo Leadership and Hidden Prophecies, Luo wisdom, Current American politics with a little salt added for taste, and those attracted to Luo ways because of our current notoriety on the world stage (Haven't we father the guardian of the citadel of world power?), or if you just want to discover what makes the Luo tick, this is your Historical Novel (where facts, fantasies, fiction are mixed, cooked then served as tragedy, satire, comedy or paranormal events). I say welcome to all of you.

You are looking for romance? You won't be bored. You love tension? Tighten your seat-belt. You love heroes? They are here. You are a tough girl? Meet your friends here. You think you know about the "Luo Bead of Passion?" You ain't met it yet. Have you heard about "The Ajwang' Prophecy?" Definitely not. Have you read about "Sunrise from the West?" Most likely not. Have you heard of "The Ajwang' Mark of Leadership?" or Do you have it under a specific foot (be sure to be a Luo, must have a fifth of Luo blood)? I doubt that you have. Can you write a short essay about "The Great Schism" among the Luo clans that dispersed this great nation throughout East and Central Africa, from Sudan to Tanzania? Maybe not.

Grab your copy.

JR Alila

BOOK RELEASE: THE LUO DREAMERS' ODYSSEY

THE LUO DREAMERS' ODYSSEY (From the Sudan to American Power) is now available for purchase from https://www.createspace.com/3373494 . Availability on www.amazon.com comes shortly. Students of Luo Oral History, Luo Anthropology, Luo Religiosity, Luo Leadership and Hidden Prophecies, Luo wisdom, Current American politics with a little salt added for taste, and those attracted to Luo ways because of our current notoriety on the world stage (Haven't we father the guardian of the citadel of world power?), or if you just want to discover what makes the Luo tick, this is your Historical Novel (where facts, fantasies, fiction are mixed, cooked then served as tragedy, satire, comedy or paranormal events). I say welcome to all of you.You are looking for romance? You won't be bored. You love tension? Tighten your seat-belt. You love heroes? They are here. You are a tough girl? Meet your friends here. You think you know about the "Luo Bead of Passion?" You ain't met it yet. Have you heard about "The Ajwang' Prophecy?" Definitely not. Have you read about "Sunrise from the West?" Most likely not. Have you heard of "The Ajwang' Mark of Leadership?" or Do you have it under a specific foot (be sure to be a Luo, must have a fifth of Luo blood)? I doubt that you have. Can you write a short essay about "The Great Schism" among the Luo clans that dispersed this great nation throughout East and Central Africa, from Sudan to Tanzania? Maybe not.Grab your copy


Thursday, January 8, 2009

OF TWO WOMEN OF HOPE AMID REJECTION

I am Joseph R Alila, author of such novels as SUNSET ON POLYGAMY and THE MILAYI CURSE.
In my newest novel, WHISPER TO MY ACHING HEART, I have employed a story about the trying times of two widows to lead my readers along an anthropological journey into some cultural aspects of marriage, kinship and inheritance among the Luo of Eastern Africa. WHISPER TO MY ACHING HEART is an ansty cry of a strong-willed, unfortunate widow (Apiny) with the "spiritually-untouchable" tag hanging on her neck, who, together with her widowed mother-in-law (Awino) insist that they belong with the clan into which they married, even as their immediate in-laws consider the younger widow to be a living "a curse," who must go. In this choice, the women have taken the higher cultural moral road than their heartless in-laws. Moreover, the women are on the right side of Luo Customary Law, which states that women and their children belong with the clan, and not just the immediate family of their husbands.
In Awino accepting a distant brother-in-law’s hand in marriage so that her burdened daughter-in-law ( Apiny) can find a kitchen in which to sleep as the latter awaits the birth of her next husband, I tell my readers a story about undying faith, courage, patience and humility, on the part of the women, and charity, on the part of the widower (Misuru). That Awino agrees to give her daughter-in-law a tender son to marry is a steep moral hill she, Awino, has to overcome amid daily echoes of laughter and ridicule of both women by their contemporaries.
But my readers should remeber that this is eighteenth-century Luoland, in which due process in matters of birth, marriage, death has to be observed religiously, lest unsettled spirits run amock. Moreover, the Seer says that the future of a whole people is tied to the strength of arms of the yet-to-be-born children and grandchildren of the two widows.

Saturday, January 3, 2009

"OUR LUO SUNRISE IN THE WEST (Old Prophecies and Our Improbable Journey)"

Fans of "SUNSET ON POLYGAMY," I'm digging in to polish my next novel, "OUR LUO SUNRISE IN THE WEST" or some title to that effect. If you wanna scoop me, you ghost writers out there, go right ahead, at the risk of fighting with my ancestors. Anyway, if you are not in the know, the Nilotic Tribe, The LUO, fathered the new man of the world, The Man of the Moment.
It is a tough project. I am grabbing every catchy phrase and idea that visit my dreams. Writing one line is taking me two days, on some cloggy days. You must be wondering why? when the history of the Luo is out there.
This is why: Novelists are not historians; they are not prophets, even as their works may foretell some events , as Novelist JR Alila in the closing chapter in THE WISE ONE OF RAMOGILAND. They are not bound by any truths. They have to try to relive the lives of some of the subjects of their imaginations and creations. Novelists try to dig into the hows and whys, even if these are unusual or untrue. For example, they have to imagine what their subjects could have done if faced with a hyena eating a Buffalo; or when forced to live in a cave of serpents like a Special Forces Soldier; or what a woman, ejected by her in-laws, would have done in the middle of nowhere in a vast wilderness in seventeenth-century Sudan. Novelists embellish their facts because they may have to (for example) describe the musical bowel movements of a glutton in the middle of a scarce meal, even if such the noises were absent! So don't take catchy "commercial" phrases from a scribe like me as sources of wisdom!
Anyway, I'm trying to put this historical event of our times, precipitated by the very grandson of Ramogi the Great, into prophetic and escatological context (you may use your GoogleSearch or Dictionary here), even though I am no prophet.
Don't misunderstand me: novelists purposes are never vain, even as their truths are embellished. The reader walks away with some new knowledge and some truth from amidst some half-truths. The Novelist has some agenda though, even as he may just be some innocent storyteller. You may read a story and come out with a plethora of literary devices used--- virgin metaphors, oxymorons---all products of the language, slang and culture he or she lives. But most novelists don't wake up and say, "I'll use so many metaphors in this action packed, boiler of a paragraph." The novelist, often, is just talking to you, on a street, at a diner, in bed without thinking about the literary classification of his or her work.
But this project is taking me long to complete because the characters such as Ramogi the Great were not mere men; their wives were not ordinary women; their decisions could have impeached a modern President; they walked under a special cloud; they fasted and prayed more often than you and I, because their burdens were weightier and their circumstances more dire than any modern president would ever face, even if these ancestors could have had responsibilities over less than 200 men!
But even if the final novel may end up being a mere product of my imagination, I want my readers to realise that we as MAN have travelled a difficult road, and are here today because of sacrifices made by those before us. Tread the land with reverence; fast and pray more often, think before you burn 50 gallons of gas chasing an illusive girlfriend or boyfriend; eat what you need and not what you want; donate when you can!


Happy New Year
Joseph R Alila
(Author: WHISPER TO MY ACHING HEART)

Thursday, December 25, 2008

READING IS LIFE

Hi ,
I am Novelist and Poet Joseph R. Alila. My wife asked me this morning to remember you, my readers, this X-mas. Happy Holidays, to you my visitors too! I wish your a literary 2008!
Reading reminds me that I am still alive! Being able to talk or sing reminds me that I am blessed with a tongue, and can verbally communicate. Being able to write is a sign that I am still functional.
I hope you add WHISPER TO MY ACHING HEART (
www.createspace.com/3341373 or www.amazon.com ) by Joseph R. Alila to your Must Read List. The book has a new cover, and a new formatting. Like its sister novels, SINS OF OUR HEARTS (www.createspace.com/3339874, www.amazon.com ), and THE MILAYI CURSE (Lulu (www.lulu.com/810018 ), this book talks to our humanity. They are relational novels, and are about us and our daily neighbors, and how we relate to them, and why we need to oil our relationships for our mutual benfit. The writings remind us that mutual silence and prejudice are a curse and a cancer to good neighborliness. Read. Talk one to another.
Have a good 2009.

Welcome.

JR Alila

Friday, December 19, 2008

WORLD FOOD CRISIS: The African Woman and Her Children


Over one year ago, I published the Poetry Collection "THIRTEEN CURSES ON MOTHER AFRICA, BY Joseph R. Alila (http://www.lulu.com/). " One of the thirteen curses was poverty including lack of food; another curse was wars, and the greatest victims under both curses were African women and their children. I dedicated several pages in the poetry collection to the precariousness of the Sahel where desert threatens marginally wet areas; where the Dar fur war is being fought.

Now with the world food crisis looming---thanks to modern man's desire for Bio diesel at the expense of using arable land to grow grains to specifically feed humans and animals---the African woman---that almost-fixed feature of the rural African landscape---and her children, are now caught in the crossroads of the war between food sufficiency and "going green" on our roads. It should not be an either or situation!Poetry can be green!

JR Alila

Thursday, December 18, 2008

KIDS ARE KIDS, RICH OR POOR

As the friendship between the little boys matured, Charles Milayi would start to exchange visits with Thomas Jamoko.
At first, Milayi’s mother protested when she learnt that the young Thomas Jamoko was coming to visit her home. She was a widow—a poor widow. She had one cooking pot and less than five earthen platters and bowls. Like their grandparents, the Milayis still used crocodile scales as spoons. Mrs. Milayi had exactly one bag of grain she hoped to last until the next harvest, which was three months away.
By contrast, the Jamokos could serve lunch to two hundred people and still be on their feet. They had hundreds of metal spoons and fancy chinaware. The Jamokos had so many cattle that, often, some cows were not milked. That is how rich the Jamokos were.
Food aside, for clothing, Consolata Milayi had one dress, and Charles Milayi only had the school uniform for his clothing. That is how poor the Milayis were.
"Milayi, you like bringing trouble on us. We have no oil with which to cook for your spoilt friend"
"Be fair Ma. Tom is just like me. He eats everything I eat," the little boy complained.
"Milayi, since when was this Tom Jamoko like you? He is a Jamoko. He only eats meat. And look at you. You don’t have a shirt on your back, and have no trousers on your buttocks. How can a Jamoko be eating what you eat?"
"But he is my friend, Mama," responded the boy in tears. For him, Tom was the dearest friend outside home.
The boy was right. They were real friends. The young Jamoko occasionally gave him an old set of school uniforms, pencils, and some new book to read. Milayi had sported the donated uniforms even though they were a size or two too small for him. Meanwhile, whenever Jamoko’s old uniforms suddenly would disappear, his mother would assume that her careless son had lost them in the playground.
"No, I do not want you to cry, Milayi. It is just that you have to know that a poor man does not walk in the same party as a rich man," Mrs. Milayi implored her son. "Charles, a poor man goes fishing for food, while a rich man goes fishing for fun. Haven’t you watched the Jamokos as they fish along the Kuja? They return part of their catch back to the water. And a rich man hunts the buffalo for its horns and skin, as poor folks struggle over its meat. The Jamokos behave like Father James, the White Priest, who fishes for fun."
"Mama, we are not poor," the boy responded in a very sure and measured tone, all to the total surprise of his mother.
"What, Charles? We are not poor? Yet we eat beans and arrowroots most of the year? Yet, you have no shirt with which to cover your back?" his mother had responded after a brief pause. She surely was surprised by the boy’s remark.
"Didn’t Father James say that poverty is only in a person’s mind, while wealth resides in one’s heart? You think we are poor. In my heart, I feel rich," the child had waxed amazingly wise, taking his mother aback in the process. She would for some long minute stir her bubbling pot of red-millet porridge in silence.
"Milayi, now, you want to cause trouble with your strange ideas. Father James never said a thing like that," she had declared hoping to silence the boy.
"But that is what the story of the Rich Young Ruler is all about. Mama, you were there when Father James read the story?" the Grade Four schoolboy had said, again sending his mother’s head spinning. The young boy had a rather strange perspective on life. Mrs. Milayi was convinced that modern schooling was turning her little boy into some kind of wise adult. "How can poverty—her obvious poverty—be wealth?" she wondered in silence.
"Now, go to the river and bathe. It is getting late. And don’t imagine that you are rich. Charles, you are poor. You are very poor. One of these days you will bring shame to this house by inviting the Minister’s Daughter for lunch," his mother had dismissed him, using bathing in the river as an excuse.
The boy of strange wisdom left for the river, with his dog named Tom, in pursuit.
Meanwhile, Mrs. Milayi wondered what she would cook for the rich man’s son. Inwardly, she was intrigued and touched by the wisdom coming out of her son’s mouth: poverty is only in a person’s mind, while wealth resides in one’s heart. These words of her young son appeared to have given her the courage to face the day. She instantly resolved to entertain the Jamoko boy.
Thomas Jamoko did come.
Mrs. Milayi treated the two boys the way little boys should be treated: "Boys eat potatoes and vegetables and cassava. That is what they dream about in their sleep. In their sleep, most boys never dream about some meaty dish. A boy wakes up with cooked cassava or potato in his hands," she had persuaded herself to believe. And she could have been more right than wrong. Most boys of those days loved sweet potatoes. Encouraged by these thoughts, she cooked potatoes as well as she could.
The two boys ate the sweet potatoes on the grass under a shady tree in front of her house. Then they enjoyed some ripe guava that nature provided in abundance. Potatoes and Guava, kind of an odd mixture, isn’t it? But if they became constipated on that day, Mrs. Milayi would have taken that as a sign of good feeding.
Mrs. Milayi was too ashamed to have allowed the "rich boy" into her meager abode that even lacked a three-legged stool.
Between rounds of sweet potatoes, the boys played some marksmanship game—shooting at domestic lizards and hedgerow birds with homemade bows and arrows.
Later that day, Thomas Jamoko returned to his home, truly believing that the outing had been a special adventure. Kids are kids, rich or poor.


SOURCE: THE MILAYI CURSE Lulu Books http://www.lulu.com/810018

Novel by Joseph R. Alila)