It's NaNoWriMo, the now world famous writing championship, in which whoever reaches a 50 thousand words in 30 days wins. You may say YES 50k times and win, if you can convince yourself that it is literature. It's you with the typewriter or keyboard. It is November, and if you live in the far north, you'll need a lot of tissue paper to go through it. Cold medication will not do because you need to be fully alert to be able to mint meaningful words. You may cheat, like lifting passages from your old essays from school, but for what? January is ahead, and with it comes Amazon/ Penguin Breakthrough Novel Awards, and that is where you would want to see your NaNoWriMo project polished and entered in a real competition. I wrote several groundbreaking works during NaNoWriMo, including THE LUO DREAMERS ODYSSEY the allegorical, historical-fiction work that appears to have presaged our world today; BIRTHRIGHT (A Luo Tragedy) which has been a college anthropological-reading text here in the Americas; THE AMERICAN POLYGAMIST; and lately MAYA, a literary novel that has nothing to do with the Mayan-predicted cataclysmic events in the near future; the novel has everything to do with the fast-evolving America cultural milieu that has left priests wondering as to what has hit them!

I'm author Joseph R. Alila, a native of Kenya living in Schenectady, New York, from where I have penned twelve novels and two epic poems. You may not have read my poetry and verse that address a variety of areas of the human experience, but you are welcome if you love writings that go beyond the mundane of daily life. I'm a chemist and teacher by training, and I for a while considered my writing as something recreational, something I did to pass time. Fourteen publications later, learning the art of writing on my feet, the literary burg has bitten me, and friends and fans say that I'm a good novelist with particular strengths in the narrative and analytical forms and with a penchant for stinging dialogue. I laugh at such suggestions, but they may be right; it may be true that writing is like wine: the author's output gets better with his or her age, where the wine in a bottle gets better with time in the cellar. I started writing from what I knew well, and that was telling stories about life in a traditional Luo home--in which I grew up before I flew to multiethnic, then multinational diaspora destinations. I've written extensively on my Luo people's polygamous marriages and other cultural practices, criticizing them where criticism is due, and shedding a sage's light in an effort to put meaning to old traditions. My mournful caution against the practice of polygamy in the era of the AIDS virus came to light in SUNSET ON POLYGAMY. My writings have tended to be anthropological--treating my subjects as actors or victims of their environments and times. My novels, WHISPER TO MY ACHING HEART, SUNSET ON POLYGAMY, THE LUO DREAMERS' ODYSSEY: FROM THE SUDAN TO AMERICAN POWER, NOT ON MY SKIN, MAYA, BIRTHRIGHT (A LUO TRAGEDY), THE WISE ONE OF RAMOGILAND, and lately MAYA are informative anthropological treatises on peoples and their physical, spiritual, political, cultural, and social circumstances. I must admit that when I set out to write my earlier novels, for example SUNSET ON POLYGAMY, I had no voice or agenda. My objective was to tell stories about my Luo people and my experiences as a Christian, a Luo, an African, and a world scholar uprooted from his home base to chase scientific dreams abroad. But fourteen novels and two Epic Poems (RATENG' AND BRIDE and THIRTEEN CURSES ON MOTHER AFRICA) later, I find himself increasingly speaking for the burdened and voiceless peoples wherever they are in the world: I speak for the African women and widows (in THE THIRTEENTH WIDOW, SUNSET ON POLYGAMY, and WHISPER TO MY ACHING HEART) whose perilous yokes are the marital culture and practices whose original intentions were protective, but which cultural practices now have turned spiritual death traps, from which there is no escape. I've found a mournful political voice in two of my works:In RATENG' AND BRIDE, I visit with and relive, in poetry, Kenya's tragic 2007 Presidential contest, pointing at errors from which the nation hasn't recovered). In the epic poem, THIRTEEN CURSES ON MOTHER AFRICA, my message is that increasingly dependent Africa is an old shadow of its pre-colonial self; Africa is inundated with perilous crises, a lot of which are due to amnesia, nature, poor leadership choices, greed, dictatorships, and brother-on-brother conflicts, with Ebony the African Woman and her children bearing the brunt of the deadly forces. In THE LUO DREAMERS' ODYSSEY: FROM THE SUDAN TO AMERICAN POWER--a novel inspired by and about the Obama Presidency--I endeavor to make a tortuous historical-cum-spiritual fictional march of my Luo people from their slow fifteenth-century times in Old Sudan to East Africa, only for one of us to occupy the world's only citadel of power. If some of my predictions about the current American Presidency seem to have come to pass, they have to be taken as illustrations of what thoughtful fiction (science or otherwise) can achieve. Collectively, in the novels, THE WISE ONE OF RAMOGILAND, THE LUO DREAMERS' ODYSSEY: FROM THE SUDAN TO AMERICAN POWER, and BIRTHRIGHT (A LUO TRAGEDY), I shed a sage's torch, liberally illuminating various aspects of the Luo journey, Luo cultural practices, Luo spirituality, and Luo thought. No wonder, my literary breakthrough novel BIRTHRIGHT (A LUO TRAGEDY) has been a classroom text in African Anthropology at an American University. Finally, the novels, NOT ON MY SKIN, THE AMERICAN POLYGAMIST, SINS OF OUR HEARTS, THE CHOIRMASTER (A SPIRITUAL TRAGEDY), and MAYA, I explore our day's very dynamic American experience, consciousness, and attitudes at street level, inside houses of worship, and at the work place. My readers could be right, my literary journey no longer is recreational; like aged wine, it has come of age. Welcome, sample it, and however it tastes, let others know, and holler here on amazon. http://www.amazon.com/Joseph-R.-Alila/e/B002QD5TDM

Aren't all these children our responsibility as residents of the world. Remember those Ethiopian kids in their tough classroom. Thanks to the author and owner of the gallery that brought them to us. http://now.msn.com/julian-germain-classroom-portraits-photo-gallery

MAYA, Joseph R Alila, author of “Birthright (a Luo Tragedy),” brings yet another narrative about the lives of ordinary people with human flaws, from which each of them can only run away, or ignore, at his or her own peril. Maya Boone faces a legal quandary over a death she has witnessed from her hideout on Eagle Street, Harmony, New York. First, she watches Raul, the troublesome husband from whom she is hiding, kill a bulldog. When Maya crosses Eagle Street to inquire whether the dog’s owner (Mike) is suing Raul, she instead falls in love with the heartbroken man, lures him to her bed, and even contemplates witnessing against Raul. The brief affair ends quickly because Mike becomes a victim to an enraged boyfriend’s arrow of passion. Wounded and helpless, Mike falls into the hands of a moonlighting evangelist named Booker who has a score to settle with him. There is no mercy for Mike, only a slow death, because Booker wishes to maintain his cover while moonlighting at Bar Delirium. With Mike dead, Maya’s distant past soon confronts her because, also witnessing the events leading to the murder on Eagle Street is Officer Jimmy Depuy—a child Maya abandoned at birth forty years before. Neither Raul nor Maya nor Officer Depuy knows about their shared bond. Then one Detective John unearths the blood knot linking Jimmy Depuy to the Rauls, and soon District Attorney Hess is advancing criminal motives against the trio. In MAYA, JR Alila weaves yet another intricate narrative that should appeal to those readers who seek to understand, in human character, matters beyond the mundane of daily life.

Maya (A Novel)

MAYA, Joseph R Alila, author of “Birthright (a Luo Tragedy),” (http://www.amazon.com/Joseph-R.-Alila/e/B002QD5TDM) brings yet another narrative about the lives of ordinary people with human flaws, from which each of them can only run away, or ignore, at his or her own peril. Maya Boone faces a legal quandary over a death she has witnessed from her hideout on Eagle Street, Harmony, New York. First, she watches Raul, the troublesome husband from whom she is hiding, kill a bulldog. When Maya crosses Eagle Street to enquire whether the dog’s owner (Mike) is suing Raul, she instead falls in love with the heartbroken man, lures him to her bed, and even contemplates witnessing against Raul. The brief affair ends quickly because Mike becomes a victim to an enraged boyfriend’s arrow of passion. Wounded and helpless, Mike falls into the hands of a moonlighting evangelist named Booker who has a score to settle with him. There is no mercy for Mike, only a slow death, because Booker wishes to maintain his cover while moonlighting at Bar Delirium. With Mike dead, Maya’s distant past soon confronts her because, also witnessing the events leading to the murder on Eagle Street is Officer Jimmy Depuy—a child Maya abandoned at birth forty years before. Neither Raul nor Maya nor Officer Depuy knows about their shared bond. Then one Detective John unearths the blood knot linking Jimmy Depuy to the Rauls, and soon District Attorney Hess is advancing criminal motives against the trio. In MAYA, JR Alila weaves yet another intricate narrative that should appeal to those readers who seek to understand, in human character, matters beyond the mundane of daily life. Check here: http://www.amazon.com/Joseph-R.-Alila/e/B002QD5TDM

The Milayi Curse (a Novella)

In The Milayi Curse, Joseph R. Alila (the Author of “Sunset on Polygamy”) tells a story about a centuries-old conflict between two ancestral cousins, the Jamokos and Milayis, both members of the Jokamilayi—a fictional Luo (Kenyan) clan. The conflict is of a spiritual as well as social nature, with one early Christian Priest (Father James O’Kilghor) struggling to make sense of an alien culture and reconcile the Jokamilayi. It is a tale about spirituality, honor, betrayal, pride, poverty, wealth and uneasy kinship in fast-changing times, with Christianity and formal education breaking class barriers, bursting myths, and “turning things upside down.” Poor Charles Milayi graduates out of middle school with excellent grades. Just when his widowed mother (Consolata Milayi) has lost hope of her gifted son ever stepping into a high school, he becomes a beneficiary of “a secret enemy hand of providence” only known to Father James. Father James protects the identity of Milayi’s benefactor because a Jamoko publicly sponsoring a Milayi child could unsettle many souls on either side of the unhealthy blood divide in Jokamilayi, more so because the benefactor’s son (Thomas Jamoko) cannot graduate out of middle school. Charles Milayi excels in his studies, joins college, and becomes a lawyer, a businessperson, and a cabinet minister. Having broken through the economic class barrier, Charles marries none other than the Prime Minister’s daughter. However, back home, Hon. Milayi’s people remain bitterly divided along bloodlines, thanks to the century-old curse with origins in old wars, pillage of war spoils, and ancestral wealth. The so-called “Milayi curse” feeds a social schism and spiritual war blamed on the unsettled spirit of a fallen war hero named Milayi Raburu. The endless cold war among ancestral cousins has made Father James O’Kilghor’s ministry to the Jokamilayi a trying experience, even for a man known for his controversial “Africanized-evangelizing strategies” that allow active traditional priests and witch doctors to receive baptism. CreateSpace eStore: https://www.createspace.com/3448088

Whisper to My Aching Heart

In the novella WHISPER TO MY ACHING HEART, novelist Joseph R. Alila tells a story about two eighteenth-century Luo widows who battle against great odds to become mothers of a future people. In this moving-yet-romantic story, a young widow (Apiny) is the bearer of the damning spiritually untouchable label in the patriarchal African society. Ejected alongside her widowed mother-in-law (Awino) and ridiculed by friends, Apiny waits for fifteen years before she receives another man in her bed. Even then, her moment of triumph comes only after Awino remarries and raises a miracle son (Otin), who answers the call to marry Apiny and redeem his fallen brother’s honor. Even after getting all the handsome sons and beautiful daughters, she wished for from her youthful lover, Apiny is not at peace in her heart. She mourns and struggles, in her heart, as her youthful husband inevitably bows to Luo cultural demands and receives a virgin wife. In the novella WHISPER TO MY ACHING HEART, novelist Joseph R. Alila tells a story about two eighteenth-century Luo widows who battle against great odds to become mothers of a future people. In this moving-yet-romantic story, a young widow (Apiny) is the bearer of the damning spiritually untouchable label in the patriarchal African society. Ejected alongside her widowed mother-in-law (Awino) and ridiculed by friends, Apiny waits for fifteen years before she receives another man in her bed. Even then, her moment of triumph comes only after Awino remarries and raises a miracle son (Otin), who answers the call to marry Apiny and redeem his fallen brother’s honor. Even after getting all the handsome sons and beautiful daughters, she wished for from her youthful lover, Apiny is not at peace in her heart. She mourns and struggles, in her heart, as her youthful husband inevitably bows to Luo cultural demands and receives a virgin wife. http://www.amazon.com/Joseph-R.-Alila/e/B002QD5TDM